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Everything is bigger in Texas—and it’s hard to imagine a bigger tone than Texas-born Billy Gibbons’ 1959 Les Paul, Pearly Gates. When you have a good thing, more of it is better, too. Even though Pearly is his #1, Billy is a man of many guitars, and he needs to be able to get the humbucker tone that he loves in his ’59 no matter what he’s playing. So, after a call to La Maestra, Maricela “MJ” Juarez, a new pickup was born.
DCR: Neck: 11.29, Middle: 11.70, Bridge: 13.95